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The Day Monet Became AI Slop
For a few glorious minutes, the internet managed to do what no machine had done.
vor 5 Std.
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Frank Govaere
1
The Jevons Paradox
It usually begins with a harmless sentence.
Mai 15
•
Frank Govaere
The Cost of Not Deciding
One of the most persistent illusions in contemporary filmmaking is the belief that keeping options open is itself a form of creative freedom.
Mai 14
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Frank Govaere
Frank's Brain Dump
I built a chatbot of myself.
Mai 12
•
Frank Govaere
The Image Always Collects the Debt
The most dangerous sentence in production is not “we do not know.” It is “we are aligned,” when nobody has actually decided what the image must become.
Mai 11
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Frank Govaere
The Illusion of Control in Virtual Production
Virtual production is usually described in the language of empowerment.
Mai 10
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Frank Govaere
Roland Emmerich Is Not Wrong About AI Cinema.
Filmmaker | Roland Emmerich’s Tagesthemen interview about artificial intelligence in filmmaking deserves a more serious response than the reflex it will…
Mai 10
•
Frank Govaere
AI May Enter The Workflow. It Should Not Exit With The Credit.
The Academy’s new rules around AI are not really about technology.
Mai 10
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Frank Govaere
The Political Economy of Tools
April 29, 2026
Mai 10
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Frank Govaere
April 2026
Virtual Production: The Missing Business Model
Virtual production has spent years perfecting its technology story, but it still struggles with its business story.
Apr. 26
•
Frank Govaere
The Asset Is the Battlefield
Most people in contemporary filmmaking are looking in the wrong direction.
Apr. 26
•
Frank Govaere
When Images Become Easy, Judgment Becomes Everything
In a previous article, I wrote that AI will not kill cinema, but may quietly erode the conditions that make cinema worth defending in the first place.
Apr. 26
•
Frank Govaere
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