Substack von Frank

Substack von Frank

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What a New Super 16 Camera Taught Me About Virtual Production
A few days ago, I read about the Cinelux SIXTEEN, a new Super 16 camera concept that exposes real film while also providing a digital image for…
 • Frank Govaere
Ben Affleck Is Right About AI. That Is the Problem.
“AI can write you excellent imitative verse,” Ben Affleck said, “but it cannot write you Shakespeare.” It is a good sentence because it refuses two bad…
 • Frank Govaere
The Two Spider Noirs
The Color Version Is The Real Mystery
 • Frank Govaere
The Strange Shame of VFX
How modern cinema came to depend on a craft it still publicly treats as contamination
 • Frank Govaere
When Decisions Become Real
Film production is often described as a chain of decisions, and that is true as far as it goes.
 • Frank Govaere
The Same Film for Less Money Does Not Exist
There is a comforting idea that moves quietly through our industry, repeated so often that it begins to feel like common sense.
 • Frank Govaere
Kane Parsons, AI and the Emotional Life of Tools
Kane Parsons is not in the news because he said something predictable about AI.
 • Frank Govaere
GUILLERMO DEL TORO’S BFI SPEECH IS NOT ABOUT AI.
IT IS ABOUT HOLLYWOOD.
 • Frank Govaere
The Vision Is a Production Tool
In film, people often speak about vision as if it were something mysterious.
 • Frank Govaere
Scorsese Made the AI Debate Serious
What Black Forest Labs, FLUX and a master filmmaker’s storyboards actually tell us about cinematic intelligence
 • Frank Govaere
Production Diary #2: The Typewriter Problem
After finishing the concept for The Set That Answers, I thought the next step would be to begin the screenplay in the usual way: scene by scene, beat by…
 • Frank Govaere
VFX Has Grown Up. The Business Model Has Not
Why the VFX business model is no longer a side issue for filmmaking
 • Frank Govaere
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